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city: issue 26.1
founding editor: bob caterrall
editor: city editors
editorial: The porous urban, -yimin zhao
I have just finished a spell of fieldwork in Shunde, an (extra-)ordinary city in Pearl River Delta. A place struggling with its not-yet-urban-enough landscapes, this city hosts many influential enterprises (and even industries) in the global production chain of household appliances and hence becomes a key part of the ‘World’s Factory.’ What attracts me to visit here, though, is not its crucial role in the global production chain, but instead for the fact that it also nurtures one of the world’s largest property developers. More interestingly, this developer was only a local town and village enterprise (TVE) thirty years ago. Investing heavily in robotics, it is now placing itself at the frontier of the trend of automation in the construction industry. Yet, when I arrived at this field site, I was at once shocked by the topography of this developer’s headquarters (see Figure 1).
While many high-rise buildings have been erected, this area is by and large rural from the local residents’ point of view. Those buildings are surrounded by villages and agricultural land, mostly for nursery gardens and orchards to cultivate ornamental plants (such as the New Year Oranges in Figure 1). Located at the boundary between two big cities in the Great Bay Area, plenty of property projects have been developed here, ranging from villas to multi-storey and high-rise residential units. Nevertheless, there is always an invisible wall separating those ‘urban’ communities from their rural surroundings. This could be labelled as a kind of ‘enclave urbanism’—in terms of segregated and gated developments with various boundaries that demarcate the urban, inducing new forms of exclusion (Douglass, Wissink, and Van Kempen 2012, 169). But I think this label per se might not be adequate to illustrate well the local ecology of urbanisation. Many residents in these enclaves, for instance, might appeal to the surrounding ‘rural’ communities in terms of their children’s education or even of their own businesses. On the other hand, this developer is also inspired by the co-existence of the urban way of life and its surrounding ‘natural’ (not-yet-urban) landscapes, and starts to wrap up a new model of property development through their own conception of ‘green urbanism’ (Koh, Zhao, and Shin 2021).
Instead of highlighting the separation and segregation between the urban and the rural, or between the enclave and its outside, I think it might be better to look into this phenomenon through the lens of porosity. In a visit paid to Naples in 1924, Walter Benjamin was also shocked when seeing that ‘the stamp of the definitive is avoided,’ and that ‘no figure asserts its “thus and not otherwise”’ (Benjamin 1979, 169). In this sense, he deploys the concept porosity to elaborate the situation where spatial boundaries and divisions are absent and the passion for improvisation accommodated (Benjamin 1979, 170; see also Gilloch 1996, 25–26). In the urban transformation of the global South, porous scenes like the one in Shunde are not exceptional or unique. We are indeed living through the urban processes and have no clear clue of what they might look like since the ‘stamp’ of a definitive urban has to be developed and conceptualised, which is always subject to contestations. The world’s largest developer might locate its headquarters in a ‘rural’ area, surrounded by New Year Oranges. Meanwhile, villages might also thrive within the urban landscapes, as evinced by numerous ‘urban villages’ in the Pearl River Delta and India. There might or might not be a planetary logic/mechanism underlying such scenes, but we do observe porosity in all such cases to certain extents.
editorial
abstract / preview
Abstract
The porous urban
I have just finished a spell of fieldwork in Shunde, an (extra-)ordinary city in Pearl River Delta. A place struggling with its not-yet-urban-enough landscapes, this city hosts many influential enterprises (and even industries) in the global production chain of household appliances and hence becomes a key part of the ‘World’s Factory.’ What attracts me to visit here, though, is not its crucial role in the global production chain, but instead for the fact that it also nurtures one of the world’s largest property developers. More interestingly, this developer was only a local town and village enterprise (TVE) thirty years ago. Investing heavily in robotics, it is now placing itself at the frontier of the trend of automation in the construction industry. Yet, when I arrived at this field site, I was at once shocked by the topography of this developer’s headquarters
original articles
displacement on the lancaster west estate in london before, during, and after the grenfell fire
keywords: ethnographic biographies, displacement, rehoming, grenfell fire, state-led gentrification
abstract / preview
Abstract
Displacement on the Lancaster West Estate in London before, during, and after the Grenfell fire
This paper draws on ethnographic biographies to reveal the multiple experiences of displacement among three residents on the Lancaster West Estate in London. It is a longitudinal study of before, during, and after the Grenfell Tower fire on 14 June 2017. Drawing on in-depth, individual ethnographic biographies, I respond to gentrification scholars’ calls for more qualitative methodological approaches to studying the experiences of the displaced. The temporal lens used adds value in showing that residents were being displaced before the fire and that they have continued to experience displacement even when rehomed. The Grenfell literature tends to focus largely on the causes of the fire but here I consider the lived subjective experiences of displacement, slow violence, unhoming and rehoming, among residents on the Estate. Upholding and preserving these voices is crucial for the Grenfell Inquiry and in resisting state-led gentrification.
good and bad concrete
keywords: concrete, housing, aesthetics, valuation, modernization, post-socialist transformation
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Abstract
Good and bad concrete
The article examines the devaluation of concrete in Central and Eastern Europe and local residents’ and architectural professionals’ commitment to ‘modernize’ socialist-period concrete housing estates due to the perceived ‘poor’ quality of materials and their ‘unaesthetic’ appeal. Using the case of the estate Wrocław Manhattan built in 1972–1978 in the Polish city of Wrocław and renovated in 2015–2016, I argue that, although modernist estates in the region and in western European contexts share seemingly identical aesthetic stigma and devaluation, different forces drive their regeneration. Drawing on archival research, interviews, go-alongs, and photo-elicitations with architectural professionals and inhabitants, this article demonstrates that ‘modernization’ of socialist-period housing estates in Central and Eastern Europe is motivated not by classist stigmatization of their inhabitants, but by a social imaginary that socialism ‘deviated’ from western European modernity and it therefore requires aesthetic ‘improvement’ and ‘fixing’. To address this insight, the article uses a sociology of valuation lens to follow people’s practices of valuing, devaluing, and transforming various properties of the estate’s concrete so as to ‘modernize’ it. I propose the concept of fugitive modern that connotes people’s quest to update the built environments associated with an ‘unfinished’ socialist modernity and calls attention to the catch-up labor poured into adding value to built environments commonly perceived as devoid of quality and beauty.
unmapping green space
keywords: planning, green space, compact city, neoliberalism, unmapping
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Abstract
Unmapping green space
In this article, we study the ongoing redevelopment of post-war, modernist residential area Rosengård, located in Sweden’s third biggest city Malmö. We show how a planning and design strategy for this area has come to focus on a ‘compact city’ typology in line with Malmö’s strategy for creating a ‘near, dense, green and mixed city’. Such compact city typology emphasizes high density, urbanity, proximity and mixed-use as key values for renewal, but also threatens the green spaces in areas designated for densification. This article illustrates how renewal plans for modernist residential areas with generous green space provision also ensure dispossession of residents’ rights to green space. Our analysis highlights how this planned dispossession is preceded by a discursive dispossession carried out by the way urban planning represents these spaces. The Rosengård case illustrates how a compact city vision imposed on marginalized modernist areas co-emerges with new forms of expert knowledge which both ‘unmaps’ existing green spaces and defines them as problematic and requiring interventions. The article highlights the important, but not yet sufficiently explored, dispossession of the right to public green space in racialized poor peripheries of Northern cities already facing intense displacement pressure. We argue that this type of renewal of modernist areas not only tends to neglect mapping important public spaces and uses of space, but actively produces blind spots by deploying a compact city planning epistemology which necessarily undermines rights to green space in the city and should put into question the compact city as the default sustainability fix.
correcting market failure? stalled regeneration and the state subsidy gap
keywords: rent gap, state subsidy gap, gentrification, urban regeneration, devaluation, commonwealth games
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Abstract
Correcting market failure? Stalled regeneration and the state subsidy gap
This paper develops the neologism state subsidy gap to underscore the necessity of state intervention in the formation and potential closure of rent gaps. The state subsidy gap is the economic gap that must be bridged by the state to make a currently unviable urban investment scenario potentially profitable for private developers. The pertinence of this conception is particularly apparent in old industrial, relatively impoverished cities where global capital is less likely to dump its surpluses with secure expectation of profitable returns. The issue is exacerbated in economically risky neighbourhoods encompassing fragmented land ownership, poor infrastructure and large-scale areas of urban devalorisation. Such conditions necessitate substantial derisking public intervention if ‘market failure’ is to be addressed—yet success is never guaranteed and is far from universal. It is argued that much closer attention to the stalling, interruption or failure of urban regeneration projects is imperative given the extent of public expenditure and the limited social outcomes arising from attempts to correct market failure. Here, the concept of the state subsidy gap shows its value, shedding light on unjust social outcomes, exposing capitalism’s inherent vulnerabilities, and illustrating the dependence of private capital on public interventions for its reproduction.
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Abstract
Teatro Oficina
The main argument of this article holds that São Paulo’s notorious Teatro Oficina has been working toward an emblematic form of critical urbanism ever since its inauguration in 1958. Throughout six decades, the theater has been an urbanistic laboratory, where a combination of theatrical, architectural and urban experiments continuously reflected and reacted upon ongoing metropolitan transformations. Located in São Paulo’s downtown neighborhood of Bixiga, Teatro Oficina’s architectural history involves a complex assembly of artistic, social, intellectual, architectural and urbanistic movements. By unfolding a spatial memoir of the theater, this contribution probes the agency of theater-architecture as a means for investigating and intervening in the spatial production and reproduction of the city. In doing so, the aim is to examine the distinct quest for a more profound right to the city that emanates from such ‘theatrical-architectural’ critique and action. If implementing the right to the city is indeed critical urban theory’s ultimate purpose, how then has Oficina been perpetually putting such right into debate and practice? In other words, what form of critical urbanism emanates from the distinctive convergence of movements in theater, architecture and urbanism?
special feature: crowds, communities, (post)capitalism and the sharing economy
crowds, communities, (post)capitalism and the sharing economy
keywords: sharing economy, platform capitalism, peer-to-peer, postcapitalism, community
abstract / preview
Abstract
Crowds, communities, (post)capitalism and the sharing economy
In this introductory article, we reflect upon the ambivalences of the term ‘sharing economy’, and the disillusionment about its potential to create a space for postcapitalist, peer-to-peer, non-market or more socially intense forms of exchange. We argue that, at the same time, these ambivalences show how the diffusion of sharing practices is open to a variety of different outcomes, and an interesting terrain for exploring the limits and alternatives to (digital) capitalism as we know it. On this basis, we introduce the contents of the Special Feature, whose aim is to explore such limits, focusing in particular on the role that ‘communities’ and ‘crowds’ play in the discursive formation and in the practical operations of digital sharing platforms.
crowd control
keywords: platform urbanism, sharing economy, finance, payment technology, law
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Abstract
Crowd control
We examine the rise of crowdfunding platforms in the wake of the global financial crisis, particularly the claim that they offer an alternative to established methods of raising capital for real estate investment, enterprise development, and civic projects. We interrogate how these novel methods of aggregating users and their money in digital space produce different collective subjectivities. Drawing from an industry study of civic crowdfunding portals in the United States and legal research into the regulatory apparatus governing them, we put forth a two-part typology to help make sense of the varied business models of crowdfunding platforms and the ways in which those models invoke and harness crowds as concrete social formations. The first distinguishes crowdfunding platforms based on what is being circulated—the substance of the payment and the economic relations it embodies and creates. The second focuses on the legal dimension of these relations, both within the transaction and in the way sites constitute the crowd through the inherited financial-regulatory vocabularies governing the issuance of securities.
political organizing and narrative framing in the sharing economyairbnb host clubs in new york city
keywords: airbnb, sharing economy, platform urbanism, regulatory entrepreneurship, host clubs, new york city
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Abstract
Political organizing and narrative framing in the sharing economyAirbnb host clubs in New York City
As cities accommodate, resist, and negotiate with the spread of so-called ‘sharing economy’ companies, the question of how these businesses actively construct new markets (or sub-markets) through political mobilization and rhetorical strategy has become increasingly salient. This paper explores the ways in which the home-sharing platform Airbnb has sought to carve out a regulatory and discursive space for operation through the political mobilization of its ‘hosts’ in New York City. Based on nearly two years of ethnographic research, the paper argues that host clubs are not merely top-down transmission belts for the company’s political lobbying strategy; beyond political organizing, they are also sites in which the very practices of hosting through Airbnb are affirmed, rehearsed, learned, and debated. On the one hand, Airbnb host clubs are both physical embodiments of, and mechanisms for, the narrative framing of ‘home-sharing’ as a particular kind of economic activity that is more democratic, inclusive, and sustainable than the traditional hospitality industry. On the other hand, Airbnb host clubs reveal and reflect the tensions – between hosts and Airbnb, and among hosts themselves – that persist over the practice of home-sharing. As the calls for tighter regulation and increased penalties for illegal short-term rentals continue to grow, however, the question of whether host clubs constitute a viable mechanism for political mobilization and regulatory reform remains an open one.
home-sharing as transnational moorings
keywords: short-term rentals, airbnb, home-sharing regulations, host community, barcelona, el raval, transnational mobilities
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Abstract
Home-sharing as transnational moorings
Barcelona, one of the main destinations for Airbnb users, has turned into one of the main stages for the now global debate around short-term rentals and their impacts on resident communities. Criticism has mostly focused on the conversion of housing into conventional tourist apartments while less attention has been paid to the problematization of short-term rentals in primary residences. Important questions thus arise as to whether these allegedly genuine forms of home-sharing should be ‘formalised’ at all through a regulation, and which type of controls should be applied. Our research helps to excavate this issue, shedding further light on the different logics and practices behind the development of home-sharing, and discusses the limitations of a regulation which is being introduced. To this end, it offers an in-depth analysis of the home-sharing supply in Barcelona, tackling its social and spatial logics, which is framed in the broader debate on processes of social change affecting inner cities. It then focuses on el Raval, one of Barcelona's core neighbourhoods where home-sharing practices have become more diffused, revealing how these practices are strongly correlated with high residential mobility and the presence of a single-dweller childless European resident population. Finally, we argue that home-sharing becomes an equally problematic agency of conversion of housing into a mooring for mobile communities, further contributing to potential gentrification and the displacement of residents.
scenes & sounds
public green
keywords: urban planning, social housing, ecology, green belt
abstract / preview
Abstract
Public green
Gaby Steiner is a visual artist and photographer from Switzerland. During her visits to Beijing she witnessed dramatic urban changes and started to explore the transformations around the Beijing Greenbelt as a researcher with a camera. This visual essay includes the photographic exploration of a particular aspect of rapid urban change in China. It is about the greenbelt of the City of Beijing and its effects. The photographic work is intended to illustrate the background to social and urban change. The artistic and photographic perspective is complemented and further illuminated by Yimin’s analytical perspective.
review
abstract / preview
Abstract
Curating cartographic modernity: politics and aesthetics
No abstract available yet for this article.



